Saturday, October 31, 2009


David Gogo – Different Views (Cordova Bay Records).

Canadian singer/guitarist David Gogo has released nine albums prior to Different Views but this is his first in three years. Too Late To Stop Now is a high energy rocker with Gogo excelling on slide guitar. There are blues and Cajun influences all over this. Don’t Bring Me Down is a Goffin & King song, but not that you’d recognise it after the David Gogo treatment. This rocked up R&B is excellent. There’s a big vocal performance on Lies and the overall feel of the album so far, is that it is earthier than his last. Erase Any Trace is an acoustic led blues rock that is very classy and Gogo returns to slide guitar with panache. I’ll Get Over It has a big, big production and Gold is pure West Coast acoustic rock – excellent from the first note.

Where The Devil Won’t Go has echoes of John Lee Hooker and it’s a big, ballsy blues. There is a real maturity to Gogo’s songwriting and this is personified by Gunslinger, which is a bouncy soulful example. The following track, Relax, is an instruction, so do as the title says and just enjoy some beautiful sounds. Over And Over is a strolling, swinging blues with soaring guitar – a classy track. He’s building up to a strong end to the album and Since You’re Gone is a beefy R&B. He follows it up with I’ll Do It Myself and this all out rocker is the perfect way to round things off.

http://www.davidgogo.com/
http://www.cordovabay.com/

David Blue.

Saturday, October 24, 2009


Govt Mule – By A Thread (Provogue).

To say that Govt Mule is a success would be a bit of an understatement. 2 million paid song downloads from their website, 7 critically acclaimed albums and sold out coast-to-coast US and European tours are testament to that. They open their 8th album with a bit of a Texas stomp and that’s no surprise when you hear that ZZ Top’s Billy Gibbons has added his not insignificant skills. Broke Down On The Brazos is bass heavy, thanks to new bassist Jorgen Carlsson, and this adds to the all round grungy feeling. Erstwhile Allman Brothers Band and Grateful Dead member Warren Haynes is a bit special (voted in Rolling Stone’s Top 25 guitarists) and his gritty voice is still as vibrant as ever. This is followed by Steppin’ Lightly, which is chunky, funky and very heavy. Good stuff! The blues influenced Railroad Boy also has cowboy flecks and maintains the high standard set by the opening two tracks. The cowboy influence may be from recording in Willie Nelson’s studio in Texas

Monday Mountain Meltdown is more of a prog rock style and after what has gone before, is a little disappointing but Gordon James is a classic acoustic rock that would hold its own in a large stadium or a small club. Any Open Window is another top class song and Lenny Kravitz comes to mind whereas Frozen Fear is a bit more run of the mill than the others and its alt country vibes are just not consistent enough. Forevermore is a return to the big ballsy acoustic ballads and it works well and Inside Outside Woman Blues #3 is a Jimi Hendrix/Joe Bonamassa style heavy blues with psychedelic undertones. The band is a class act and can grind it out – I could listen all night. Scenes From A Troubled Mind is another grinding blues with a big rock chorus and fills. World Wake Up is a lower key finish than I would have expected. However, this is an excellent ballad to end with and shows the softer tones in Haynes’ voice. They are only playing one gig in the UK on their upcoming European tour and that is a pity. Maybe next time they’ll let more of the country get the chance to see them.

http://www.provoguerecords.com/

David Blue.

Saturday, October 10, 2009


Billy Walton Band – Neon City (Own Label).

New Jersey native Billy Walton has paid his dues on the blues circuit but the addition of bassist William Paris and drummer Marcus Croan has taken him to a different level. This is his debut album and Radio is a hi energy, hi impact opener – good blues rock. There is no doubting his fretboard skills on the eponymous title track but the song is a little nondescript. Hypnotized has a funky reggae beat with a rock base. Walton sets the frets on fire on this surprising highlight. The title says it all on Soul Song. It’s another song and another genre. On its own it is fine but I wish he would just pick a style and get on with it. He gets back to blues rock with Set Backs and you can chant along to this until your heart is content.

Treat Her Right is a speedy R&B with another shout along chorus. Walton’s guitar drives this along very well. Spreading The Blues is the kind of heavy blues rock that the Billy Walton Band excels at and air guitar players should look out their plectrums. This is short, sweet and solid. Distorted Views is a mid-paced blues ballad of a style similar to that of Gary Moore. This is more restrained than others but that lets you pick out his superb technique more. However, he can’t help himself and eventually lets it rip. He’s not up to it vocally at the start of Jersey Devil but he does eventually come onto his game on this Bon Jovi style rocker. He’s not in Bon Jovi’s class vocally but he does have claims to rival Richie Sambora on guitar. They finish with a strange choice, The Temptations’ Papa Was A Rollin’ Stone. I had reservations when I saw it listed on the sleeve and my fears were partially founded. Thankfully, it’s not a rehash of the original (why try to match perfection). There’s a strange end to it with a voice box over Walton’s guitar but it is a valiant effort nonetheless.

http://www.billywaltonband.com/

David Blue.