The Why & Wherefores –Alright (Dusty Records).
This is Emily Druce & Steve Jones’ latest incarnation and they stray slightly from the blues path with roots and rockabilly coming into play. Joining Druce & Jones in The Why + Wherefores are Martin Wydell on tuba & sousaphone, Marc Layton-Bennett on drums & percussion and John Barker on lap steel. Alright takes them away from the blues and they go electric. This is a very Bohemian, jaunty opener. Black And White has gentle sounds with Neil Innes guesting ob bassand Rev Gal takes them back into the blues arena as Jones takes on the vocal. This is a beefed up electric blues with added percussion from Layton-Bennett -- high impact blues rock. The One I Left Behind has Druce back on vocals and Innes on bass for this uptempo swing blues and one of familiar territory. Rough Diamond is slowed down and folk influenced. Druce’s fiddle gives that boho feel to Wolf which has them swapping the vocals again.
Rollin’ And Tumblin’ is not a blues as you would expect from the title but a return to Bohemia. Illuminated is early Eddi Reader in delivery and pleasant enough without being outstanding. Way Out West has a punctuated bass and this lays the foundation for a laid back groove. I feel that the fiddle is a little unnecessary on this one though. I Thought I Loved Somebody Else is a heavier blues based thumper and far better than the pretty stuff in my opinion. Last Go Round is another slinky one and they finish with a brave cover (the only cover on the album) of Bob Marley’s Lively Up Yourself. This is slower than the original but it does maintain the slight reggae feel that has just been under the surface on some of the earlier tracks. However, it is not up to the standard of the original but the slide guitar is a bit of a novelty.
www.myspace.com/thewhywherefores
David Blue.
This is Emily Druce & Steve Jones’ latest incarnation and they stray slightly from the blues path with roots and rockabilly coming into play. Joining Druce & Jones in The Why + Wherefores are Martin Wydell on tuba & sousaphone, Marc Layton-Bennett on drums & percussion and John Barker on lap steel. Alright takes them away from the blues and they go electric. This is a very Bohemian, jaunty opener. Black And White has gentle sounds with Neil Innes guesting ob bassand Rev Gal takes them back into the blues arena as Jones takes on the vocal. This is a beefed up electric blues with added percussion from Layton-Bennett -- high impact blues rock. The One I Left Behind has Druce back on vocals and Innes on bass for this uptempo swing blues and one of familiar territory. Rough Diamond is slowed down and folk influenced. Druce’s fiddle gives that boho feel to Wolf which has them swapping the vocals again.
Rollin’ And Tumblin’ is not a blues as you would expect from the title but a return to Bohemia. Illuminated is early Eddi Reader in delivery and pleasant enough without being outstanding. Way Out West has a punctuated bass and this lays the foundation for a laid back groove. I feel that the fiddle is a little unnecessary on this one though. I Thought I Loved Somebody Else is a heavier blues based thumper and far better than the pretty stuff in my opinion. Last Go Round is another slinky one and they finish with a brave cover (the only cover on the album) of Bob Marley’s Lively Up Yourself. This is slower than the original but it does maintain the slight reggae feel that has just been under the surface on some of the earlier tracks. However, it is not up to the standard of the original but the slide guitar is a bit of a novelty.
www.myspace.com/thewhywherefores
David Blue.
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