Monday, July 26, 2010


Walter Trout – Common Ground (Provogue Records).

Every time a Walter Trout album lands on my desk I feel the excitement in the air and this one does not disappoint. Common Ground is Walter Trout’s 20th album and it is testament to his talent that it sounds just as fresh as his solo debut in 1990. Walter has raised the bar immediately with the acoustic slide based opener May Be A Fool. This pounding blues rocker builds and builds as he introduces the band and finally his electric guitar to the mix. Acoustic guitar starts Open Book too. This is a standard rock ballad, if anything by Walter Trout is standard, but it is lifted from the pack by his superb guitar playing. The notes just fall from his guitar. There’s a theme running here as Her Other Man also starts acoustically. Trout’s voice is on top form and the guitar interludes are just what you expect from a master of the fret board. The eponymous title track has a spiritual feel to it. Bon Jovi written all over it and guitar ringing like a bell at the end. Danger Zone adds some funk to the rock and is held together by the snappy drums of Kenny Aronoff. Hudson Had Help is a good time barrelhouse blues and a bit of a highlight.

Loaded Gun is the type of song that you would attribute to Walter Trout right away. Loud, bawdy blues rock and one to get the party started with. Rousing, especially with Jon Cleary’s piano getting hammered as well as Trout’s guitar and driven on superbly by Hutch Hutchinson on bass and the aforementioned Aronoff on drums with some of the best guitar you are likely to hear this year! Song For My Guitar is exactly what is says. Walter gives his guitar almost human status. Some may think it a bit twee but a guitar can become a member of the family. Eyes Of A Child is a mid-paced blues with a touch of swing. No Regrets is a slow, chugging blues with Trout’s voice and guitar in perfect unison. His guitar scorches as he bends the strings to breaking point. Wrapped Up In The Blues is a more standard type of electric blues. Harmony vocals and shuffling beats makes for another highlight. He finishes with Excess Baggage, a slow, sultry blues with Cleary’s Hammond organ to the fore – just what I would expect from one of my keyboard favourites. This is a powerful finish to the album and Walter Trout just keeps on being outstanding. I’m already looking forward to the next album!

http://www.waltertrout.com/
http://www.prvoguerecords.com/

David Blue.

Saturday, July 24, 2010


Philip Sayce – Innerevolution (Provogue Records).

Born in Wales and raised in Canada, Philip Sayce was immersed in music from a very young age. Influenced by those such as Eric Clapton, BB King, Buddy Guy and Robert Cray you would have expected him to come out as an all guns blazing blues guitarist but that’s only a part of the Philip Sayce armoury. Innerevolution is his second album since leaving Melissa Etheridge’s band and the opening track, Changes is a strong one, with expansive rock sounds. It’s a good, driving song and his guitar work is excellent. The follow up, Scars, has a great riff and it chugs along very well – Lenny Kravitz comes to mind. The snappy Bitter Monday (is that not every Monday that you have to go to work?) has pounding drums, from Matchbox 20s Ryan MacMillan) announcing the arrival of Sayce’s guitar before going off onto the realms of pop-rock. Anymore is slower than most of the albums opening tracks and this power ballad compares well in a genre that is difficult to be innovative in. This succeeds and Sayce’s voice has the requisite power to carry it off. Take You Away is raucous power pop with fuzzed guitars adding to the wall of sound and has Sayce letting rip on a number of fronts.

Daydream Tonight is the obligatory ballad and this piano-led softie could quite easily be boy band chart material. It’s no surprise that he includes Richard Marx amongst his co-writers on this album. He rips it up again for My Pearl and this pulsating, melodic rocker sets him apart for the other artists on the Provogue label. The power trio set up suits his classy guitar style. Tennessee Girl is a gritty rocker and Are You Ready has a big production and a singalong feel with his guitar getting a good going over on both. Gimme Some More has frenetic drumming and the whole thing tips more than a nod to Hendrix. Little Miss America is an epic to finish with. At over 8 minutes long it will stretch you to your limits but the throbbing grooves and Hendrix overtones will satisfy more than most.

http://www.philipsayce.com/
http://www.provoguerecords.com/

David Blue.